Acting Credits
Un Año – Rachel, Singing Flight Attendant, Sage
American Records and Salvage Vanguard Theater
Lizzie – Lizzie Borden
New Line Theatre
In the Heights – Daniela
R-S Theatrics
The History of Mexicans in 10 Minutes – Player 2
Theatre Nuevo
Twelfth Period: or Not Another Twelfth Night – Feste
ERA Theatre
Orgullo: A Pride of One Acts
La Cita – Leti
Exotic – Saara
Theatre Nuevo
Hedwig and The Angry Inch – Yitzhak
Stray Dog Theatre
The Dispute – Deena
YoungLiars
Heathers – Veronica
New Line Theatre
My Mother’s Lesbian Jewish Wiccan Wedding – Michelle, Various
New Jewish Theatre
Jerry Springer the Opera – Shawntel/Eve
New Line Theatre
Hands on a Hardbody – Norma
New Line Theatre
Rent – Mimi
New Line Theatre
Whammy! and the Seven Secrets to a Sane Self – Quimby
Hot City Theatre/NYC International Fringe
Shlemiel the First – Dopey/Zeinvel
New Jewish Theatre
Psycho Beach Party – Berdine
Stray Dog Theatre
Spring Awakening – Ilse
Stray Dog Theatre
Urinetown – Little Becky Two Shoes
Stray Dog Theatre
Godspell – Ensemble
Mustard Seed Theatre
The Who’s Tommy – Acid Queen/Ensemble
Stray Dog Theatre
Evil Dead: the Musical – Cheryl
Stray Dog Theatre
As Bees in Honey Drown – Various
Stray Dog Theatre
Recognition
St. Louis Theater Circle
Lizzie, Lizzie (Winner)
Ilse, Spring Awakening (Winner)
Berdine, Psycho Beach Party (Nominee)
Yitzhak, Hedwig and the Angry Inch (Nominee)
Riverfront Times
Best Female Vocalist, 2014
The History of Mexicans in 10 Minutes, Theatre Nuevo
Hands on a Hard Body, New Line Theatre
Reviews
“Skidis is one of St. Louis' secret stage weapons, elevating sidekick characters into memorable performances. Here she generates laughs with her physical comedy... She's a gem here, same as always.” - Paul Friswold, Riverfront Times on Stray Dog Theatre’s Psycho Beach Party
“Anna Skidis Vargas brandishes one of the strongest voices in town in the title role… Skidis Vargas bends from powerless despair to seething anger in a blistering turn, assuming a disturbingly cool demeanor once her mind is made up. ‘This Is Not Love’ and ‘Thirteen Days In Taunton’ are among her most impressive." - Andrea Torrence, STL Theatre Snob on New Line Theatre’s Lizzie















